Walker Evans

This photo was taken by American photographer Walker Evans, possibly Robert Franks most influential photographer. He was born in the U.S. in 1903. 
Evans photographed a similar subject matter to Frank; the 'lower class' people of America. He looked particularly at small rural communities worst effected by the great depression. His most recognisable work is from when he was working with the FSA (Farm Security Administration). The FSA was set up as part of the 'New Deal' in America as a response to overcome the great depression, particularly in rural areas. Evans said that he aimed to create "literate, authoritative and transcendent" photos. He began shooting for the FSA and RA (resettlement administration) in 1935/1936 up until 1938.


The reason I have chosen to study Walker Evans's work for 'Exploration and discovery' is due to it's journalistic/documented style. When looking at his photos you explore new places and discover different ways of life and living. This follows a similar theme to my coursework unit on 'experimental photography and perspective'; his photos introduce the perspective of these small communities working hard for a living. 
Evans most frequently used a large format (8x10) camera when taking his photos. 

In 1936 Evans was set an assignment by 'Fortune' magazine to shoot in Hale County, Alabama. He photographed three farming families in depth. However the story didn't actually run, but the pictures taken are now iconic of the great depression in rural parts of America. This picture of Allie Mae Burroughs, an Alabama cotton tenants wife is possibly Evans's most recognised photo, taken in his signature style - straight on and dispassionate. Usually a photo like this would not evoke feeling or emotion, but Evans manages to capture both the strength and fatigue in this picture. Her eyes strikingly powerful whereas her expression and appearance suggest struggle and weariness.